Interior Design Studio
Spaces
That
Argue
Back.
Three projects. Each one started with a room that wasn't working. None of them look like interiors anymore.
The Kitchen Problem
The homeowners had stripped every surface back to raw structure — and then frozen, afraid of what came next.
We left the concrete ceiling exposed and poured a continuous work surface in black limestone. The kitchen stopped pretending to be a kitchen and became a room that happened to have a stove.
Lobby With No Identity
The boutique hotel had twelve rooms that guests loved and a lobby that made them question whether they had the right address.
We demolished the false ceiling to expose the original 1920s timber trusses, poured a single slab of pale terrazzo across the entire floor, and placed one enormous hand-knotted rug over it — a deliberate argument between the industrial and the intimate.
A Studio With No Atmosphere
The creative director needed a space that could stand in as three different locations — without looking like any of them.
Raw plaster in three tonal variations across a single open floor. The light sources are architectural, not decorative. Every surface is a background, and none of them compete.
We don't decorate rooms. We build arguments — between material and memory, between what a space was and what it refuses to stop becoming. Every project begins with a conflict. That's exactly where we start.
Start a
Conversation.
We take on three to four projects per year. Tell us about the space that's been bothering you. We'll know within the first paragraph whether we're the right fit.